I. "Qui parle?"; II. The Concert (Zither); III. Text Machine (Spiele); IV. Readings I (Ye who read); V. "Du, der Lesende..."; VI. In the Basement; VII. Readings II (Over Some Flasks); VIII. Writings I (Strings); IX. Harrypatari; X. Unisono; XI. Readings III (A dead weight - un poids mortel); XII. Chaconne/Kantorloops; XIII. Marseille, 22. September 91 (Pegelton); XIV. Readings IV (Cependant nous poussions nos rires); XV. Letter Brass; XVI. Brass in 5/4; XVII. The Brazen Doorway; XVIII. "Wir saßen nachts..."; XIX. That Corpse; XX. Toccata for Teapot & Piccolo; XXI. Writings II (Tutti); XXII. Writings III (Strings und Sampler); XXIII. Koto Machine; XXIV. "Doch allmählich hörten unsere Lieder auf..."
The standard, accepted order of instrumentation for large ensembles: fl.ob.cl.bsn - hn.tpt.trbn.tba - perc - other - vlnI.vlnII.vla.vlc.db - tape, or electronics. Saxophones appear between clarinet and bassoon.
All other scorings (less than 8 instruments) are listed in full.
When an instrument is listed in parentheses, then this instrument is doubled. "guitar (=electric guitar)" means that the guitarist plays an acoustic, as well as an electric guitar. In an orchestral setting, "1(I=picc).2(II=corA).2(II=bcl).1" would resolve to: 1 flute (also playing piccolo), 2 oboes (second oboe also playing cor anglais), 2 clarinets (second clarinet also playing bass clarinet), 1 bassoon. If there is an extra instrument, which is not doubled, then this is expressly written out, e.g. "1(I=picc).2.corA.2.bcl.1.dbn", which unravels to: 1 flute (also playing piccolo), 2 oboes, 2 clarinets, 1 bass clarinet, 1 bassoon, 1 double bassoon.
Solo instruments in a concerto or chamber setting are written out in front of the ensemble instruments: guitar - 1.1.1.1 - 1.0.0.0 - perc - strgs.
Genre
Stage Work with Guitar
Text/Libretto
Edgar Allen Poe, John Webster, T.S. Eliot, Maurice Blanchot
