I. Erinnerung; II. Gedicht 1: Vergänglichkeit II; III. Gedenken 1; IV. Geschichte 1: Kannitverstan; V. Gedenken 2; VI. Gedicht 2: Vergänglichkeit II; VII. Gedenken 3; VIII. Geschichte 2: Der Wasserträger; IX. Gedenken 4; X. Gedicht 3: Vergänglichkeit III; XI. Gedenken 5; XII. Geschichte 3: Unverhofftes Wiedersehen; XIII. Gedenken 6; XIV. Gedicht 4: Vergänglichkeit IV; XV. Ahnung
The standard, accepted order of instrumentation for large ensembles: fl.ob.cl.bsn - hn.tpt.trbn.tba - perc - other - vlnI.vlnII.vla.vlc.db - tape, or electronics. Saxophones appear between clarinet and bassoon.
All other scorings (less than 8 instruments) are listed in full.
When an instrument is listed in parentheses, then this instrument is doubled. "guitar (=electric guitar)" means that the guitarist plays an acoustic, as well as an electric guitar. In an orchestral setting, "1(I=picc).2(II=corA).2(II=bcl).1" would resolve to: 1 flute (also playing piccolo), 2 oboes (second oboe also playing cor anglais), 2 clarinets (second clarinet also playing bass clarinet), 1 bassoon. If there is an extra instrument, which is not doubled, then this is expressly written out, e.g. "1(I=picc).2.corA.2.bcl.1.dbn", which unravels to: 1 flute (also playing piccolo), 2 oboes, 2 clarinets, 1 bass clarinet, 1 bassoon, 1 double bassoon.
Solo instruments in a concerto or chamber setting are written out in front of the ensemble instruments: guitar - 184.108.40.206 - 220.127.116.11 - perc - strgs.
Baden-Baden, Germany, 26 June 1983: Béatrice Mathez-Wüthrich, speaker / Dieter Schnebel, speaker / Andreas Wirth, speaker / Mirjam Sohar / Jörg Michael Fegert / Jürgen Marquart / members of the Sinfonieorchesters des Südwestfunks Baden-Baden, Zoltan Pesko (cond.)