Year
1993
Instrumentation
electric guitar - electronics
×
Explanation of the instrumentation string
Abbreviation |
Instrument |
Guitar(s) and other plucked instruments |
|
bal |
balalaika |
bgtr |
bass guitar |
bjo |
banjo |
egtr |
electric guitar |
gtr |
guitar |
gtr (ampl.) |
amplified guitar |
hrp |
harp |
mand |
mandolin |
uke |
ukulele |
Woodwinds |
|
afl |
alto flute |
asax |
alto saxophone |
barsax |
baritone saxophone |
bcl |
bass clarinet |
bsax |
bass saxophone |
bsthn |
basset horn |
cl |
clarinet |
corA |
cor anglais |
dbcl |
contrabass clarinet (or double bass clarinet) |
dbn |
contrabassoon (or double bassoon) |
Ebcl |
E-flat clarinet |
fl |
flute |
heck |
heckelphone |
ob |
oboe |
obda |
oboe d'amore |
picc |
piccolo |
rec |
recorder |
sarrus |
sarrusophone |
sax |
saxophone |
ssax |
soprano saxophone |
tsax |
tenor saxophone |
Brass |
|
bgl |
bugle |
btrbn |
bass trombone |
crt |
cornet |
euph |
euphonium |
flghn |
fluegel horn |
hn |
horn |
picctpt |
piccolo trumpet |
tpt |
trumpet |
trbn |
trombone |
tba |
tuba |
Wtba |
Wagner tuba |
Percussion |
|
cim |
cimbalom |
drkit |
drum kit |
glsp |
glockenspiel |
mba |
marimba |
perc |
percussion |
tamb |
tambourine |
timp |
timpani |
vib |
vibraphone |
xyl |
xylophone |
Keyboards |
|
cel |
celesta |
eorg |
electric organ |
epft |
electric piano |
harm |
harmonium |
Horg |
Hammond organ |
hpsd |
harpsichord |
kybd |
keyboard |
org |
organ |
pft |
piano |
prep pft |
prepared piano |
synth |
synthesizer |
Strings |
|
db |
double bass (or contra bass) |
evln |
electric violin |
strgs |
strings |
vla |
viola |
vlada |
viola d'amore |
vlc |
violoncello |
vln |
violin |
Vocal |
|
A |
(Contr)alto |
B |
Bass |
Bar |
baritone |
MS |
mezzo-soprano |
S |
soprano |
T |
tenor |
Other |
|
acc |
accordion |
ocar |
ocarina |
oM |
Ondes Martinot |
Explanation
The standard, accepted order of instrumentation for large ensembles: fl.ob.cl.bsn - hn.tpt.trbn.tba - perc - other - vlnI.vlnII.vla.vlc.db - tape, or electronics. Saxophones appear between clarinet and bassoon.
All other scorings (less than 8 instruments) are listed in full.
When an instrument is listed in parentheses, then this instrument is doubled. "guitar (=electric guitar)" means that the guitarist plays an acoustic, as well as an electric guitar. In an orchestral setting, "1(I=picc).2(II=corA).2(II=bcl).1" would resolve to: 1 flute (also playing piccolo), 2 oboes (second oboe also playing cor anglais), 2 clarinets (second clarinet also playing bass clarinet), 1 bassoon. If there is an extra instrument, which is not doubled, then this is expressly written out, e.g. "1(I=picc).2.corA.2.bcl.1.dbn", which unravels to: 1 flute (also playing piccolo), 2 oboes, 2 clarinets, 1 bass clarinet, 1 bassoon, 1 double bassoon.
Solo instruments in a concerto or chamber setting are written out in front of the ensemble instruments: guitar - 1.1.1.1 - 1.0.0.0 - perc - strgs.
|
Genre
Guitar with Live Electronics or Computer
Publisher
Manuscript
Source
Grove; Dresher Ensemble website;
Details
"Since 1979, I have composed a series of works for myself as a solo performer working interactively with various forms of music technology. These works, such as Dark Blue Circumstance and Liquid and Stellar Music, are generally not written out but rather evolve over several months or even years utilizing a combination of a predetermined overall form and composed materials which are developed through improvisation. This work is in the early stages of its evolution and is will probably continue to develop over the next few years. At present, it is a collection sounds that intrigue me and a fascination with how those sounds can be triggered and manipulated live by non-keyboard based gestures.
I am principally working with Don Buchla's LIGHTNING, a device which translates the motion of two hand-held "wands" into musically useful (I would say very useful) MIDI data. (MIDI is an acronym for "musical instrument digital interface", a standard digital communication format for electronic musical devices). How LIGHTNING interprets the movement is largely determined by the composer’s programming of the device and is very flexible. Thus a composition for LIGHTNING involves 3 principal aspects: the physical gestures, the programming of LIGHTNING for the interpretation of those gestures and lastly, the selection and preparation of the sounds (samplers and/or synthesizers) and signal processors that are being triggered by LIGHTNING."
- Paul Dresher (from: Dresher Ensemble website)